After suffering through the nation’s worst and most concentrated examples of racial violence, industrial collapse, serial arson, crack war, and municipal bankruptcy following years of municipal kleptocracy, Detroit is being descended on by a plague of reporters. If you live on a block near one of the city’s tens of thousands of abandoned buildings, you can’t toss a chunk of Fordite without hitting some schmuck with a camera worth more than your house.
The interest in coverage is legitimate—if you search places like Digg or Reddit for Detroit stories, even totally boring news items like a hiring jump at the local wind-energy plant number in the thousands. And God help you if the piece has anything to do with urban decay. When Vice UK ran a little series of photos by James Griffioen of the demolished interior of an abandoned Detroit public school, it tripled our website’s traffic for nearly a week.
The problem is it’s reached the point where the potential for popularity or “stickiness” or whatever you’re supposed to call it now is driving the coverage more than any sort of newsworthiness of the subject. There’s a total gold-rush mentality about the D right now, and all the excitement has led to some real lapses in basic journalistic ethics and judgment…
Jeff Dunham’s Comedy For Dummies from the NY Times Sunday Magazine
Gradually, a lot of Dunham’s material has come to reflect his exhaustion with political correctness — though he needles taboos in the same impish way that his dummies used to cut down untouchables like the lunch lady or Jack Welch when he was a kid. Unlike the acts of some other comedians with a big red-state following, Dunham’s doesn’t feel resentful or vindictive, and he’s not eager to brand himself ideologically. His outlook struck me as almost alarmingly uncomplicated. He defends himself by noting that he tries to insult all races and ethnicities equally, and ultimately seems to treat jokes about all Indians being customer-service operators or all black people drinking malt liquor not all that differently from jokes involving other well-worn comedic tropes — like all wives being annoying nags or Florida being way too humid.
Dunham does concede that he’s extra-sensitive to one of his largest constituencies: the conservative “country crowd.” “That’s why I don’t pick on basic Christian-values stuff,” he told me. “Well, I also don’t like to, because that’s the way I was brought up.” He then stopped himself short and said: “Oh, boy. I’m walking into something here.”
Dunham started to explain — as if realizing it for the first time — that this would appear to make the jokes he does about Islam with Achmed “hypocritical.” But he quickly unburdened himself of the idea. “I try to make the majority of my audience laugh,” he said. “That’s my audience. They’ll laugh at the dead terrorist.”
In fact, the jokes that get some of the wildest, loudest reactions aren’t really even jokes, just statements. Like when one puppet shouts that all Mexicans should learn English, or when Dunham wishes Walter “Happy Holidays” and Walter responds: “I’ve been wanting to say this for a couple of years now: Screw you, it’s ‘Merry Christmas’!” And the crowd doesn’t laugh; it riotously applauds. Dunham describes them as moments of “catharsis,” when the dummy says something “everyone wants to laugh about, or that you snicker at with one or two friends, but that you could never say out loud.”
Plenty of more gems in this article.
Still trying to catch up on this incredibly compelling and powerful story.
Balloon Boy and the Boys - Pussified (via wwtdd.com)
Ok the only thing more bazaar than the fact that he was thought to be trapped in a weird balloon for hours on end was that the Balloon Boy was on WifeSwap and made this very strange rap video called “Pussified.” THIS IS VERY REAL AND VERY WEIRD. The only thing that could make this better was if the kid was Curtis, the “bacon is good for me” kid.
k-os “I Wish I Knew Natalie Portman”
k-os weaves the theme from the OC into gold. Easily one of my favorite songs of the year.